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A screenplay or script, is a written work by screenwriters for a film, television program or video. From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. This article is about the media object. For other uses, see Screenplay.

• Malayalam Film Script Writing Format Pdf Malayalam Cinema Script Writing Model Pdf The oldest literary work in Malayalam, distinct from the Tamil tradition, is dated from between the 9th and 11th centuries. The first travelogue in any Indian language is the Malayalam, written by in 1785.
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A screenplay, or script, is a written work by screenwriters for a film, television program or video game. These screenplays can be original works or adaptations from existing pieces of writing. In them, the movement, actions, expression and dialogues of the characters are also narrated. A screenplay written for television is also known as a teleplay.

• 1Format and style
• 2Screenplay formats
  • 2.1Feature film

Format and style[edit]

The format is structured so that one page equates to roughly one minute of screen time, though this is only used as a ballpark estimate and often bears little resemblance to the running time of the final movie.^[1] The standard font is 12 point, 10 pitch Courier Typeface.^[2]

The major components are action (sometimes called 'screen direction') and dialogue. The action is written in the present tense and is limited to what can be heard or seen by the audience, for example descriptions of settings, character movements, or sound effects. The dialogue is the words the characters speak, and is written in a center column.

Unique to the screenplay (as opposed to a stage play) is the use of slug lines. A slug line, also called a master scene heading, occurs at the start of every scene and typically contains three pieces of information: whether the scene is set inside (interior/INT.) or outside (exterior/EXT.), the specific location, and the time of day. Each slug line begins a new scene. In a 'shooting script' the slug lines are numbered consecutively for ease of reference.

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Physical format[edit]

American screenplays are printed single-sided on three-hole-punched paper using the standard American letter size (8.5 x 11 inch). They are then held together with two brass brads in the top and bottom hole. The middle hole is left empty as it would otherwise make it harder to quickly read the script.

In the United Kingdom, double-hole-punched A4 paper is normally used, which is slightly taller and narrower than US letter size. Some UK writers format the scripts for use in the US letter size, especially when their scripts are to be read by American producers, since the pages would otherwise be cropped when printed on US paper. Because each country's standard paper size is difficult to obtain in the other country, British writers often send an electronic copy to American producers, or crop the A4 size to US letter.

A British script may be bound by a single brad at the top left hand side of the page, making flicking through the paper easier during script meetings. Screenplays are usually bound with a light card stock cover and back page, often showing the logo of the production company or agency submitting the script, covers are there to protect the script during handling which can reduce the strength of the paper. This is especially important if the script is likely to pass through the hands of several people or through the post.

Increasingly, reading copies of screenplays (that is, those distributed by producers and agencies in the hope of attracting finance or talent) are distributed printed on both sides of the paper (often professionally bound) to reduce paper waste. Occasionally they are reduced to half-size to make a small book which is convenient to read or put in a pocket; this is generally for use by the director or production crew during shooting.

Although most writing contracts continue to stipulate physical delivery of three or more copies of a finished script, it is common for scripts to be delivered electronically via email.

Screenplay formats[edit]

Screenplays and teleplays use a set of standardizations, beginning with proper formatting. These rules are in part to serve the practical purpose of making scripts uniformly readable 'blueprints' of movies, and also to serve as a way of distinguishing a professional from an amateur.

Feature film[edit]

Motion picture screenplays intended for submission to mainstream studios, whether in the US or elsewhere in the world, are expected to conform to a standard typographical style known widely as the studio format which stipulates how elements of the screenplay such as scene headings, action, transitions, dialog, character names, shots and parenthetical matter should be presented on the page, as well as font size and line spacing.

One reason for this is that, when rendered in studio format, most screenplays will transfer onto the screen at the rate of approximately one page per minute. This rule of thumb is widely contested — a page of dialogue usually occupies less screen time than a page of action, for example, and it depends enormously on the literary style of the writer — and yet it continues to hold sway in modern Hollywood.

There is no single standard for studio format. Some studios have definitions of the required format written into the rubric of their writer's contract. The Nicholl Fellowship, a screenwriting competition run under the auspices of the Academy of Motion Picture Arts and Sciences, has a guide to screenplay format.^[3] A more detailed reference is The Complete Guide to Standard Script Formats.^[4]

Spec screenplay[edit]

A 'spec script' or speculative screenplay is a script written to be sold on the open market with no upfront payment, or promise of payment. The content is usually invented solely by the screenwriter, though spec screenplays can also be based on established works, or real people and events.^[5]

Television[edit]

For American TV shows, the format rules for hour-long dramas and single-camera sitcoms are essentially the same as for motion pictures. The main difference is that TV scripts have act breaks. Multi-camera sitcoms use a different, specialized format that derives from stage plays and radio. In this format, dialogue is double-spaced, action lines are capitalized, and scene headings, character entrances and exits, and sound effects are capitalized and underlined.

Drama series and sitcoms are no longer the only formats that require the skills of a writer. With reality-based programming crossing genres to create various hybrid programs, many of the so-called 'reality' programs are in a large part scripted in format. That is, the overall skeleton of the show and its episodes are written to dictate the content and direction of the program. The Writers Guild of America has identified this as a legitimate writer's medium, so much so that they have lobbied to impose jurisdiction over writers and producers who 'format' reality-based productions. Creating reality show formats involves storytelling structure similar to screenwriting, but much more condensed and boiled down to specific plot points or actions related to the overall concept and story.

Documentaries[edit]

The script format for documentaries and audio-visual presentations which consist largely of voice-over matched to still or moving pictures is different again and uses a two-column format which can be particularly difficult to achieve in standard word processors, at least when it comes to editing or rewriting. Many script-editing software programs include templates for documentary formats.

Screenwriting software[edit]

Various screenwriting software packages are available to help screenwriters adhere to the strict formatting conventions. Detailed computer programs are designed specifically to format screenplays, teleplays, and stage plays. Such packages include BPC-Screenplay, Celtx, Fade In, Final Draft, FiveSprockets, Montage, Movie Magic Screenwriter, Movie Outline 3.0, Scrivener, Movie Draft SE and Zhura. Software is also available as web applications, accessible from any computer, and on mobile devices, such as Fade In Mobile and Scripts Pro.

The first screenwriting software was SmartKey, a macro program that sent strings of commands to existing word processing programs, such as WordStar, WordPerfect and Microsoft Word. SmartKey was popular with screenwriters from 1982 to 1987, after which word processing programs had their own macro features.

Script coverage[edit]

Script coverage is a filmmaking term for the analysis and grading of screenplays, often within the script-development department of a production company. While coverage may remain entirely verbal, it usually takes the form of a written report, guided by a rubric that varies from company to company. The original idea behind coverage was that a producer's assistant could read a script and then give their producer a breakdown of the project and suggest whether they should consider producing the screenplay or not.^[6]

See also[edit]

References[edit]

1. ^JohnAugust.com 'How accurate is the page-per-minute rule?
2. ^JohnAugust.com 'Hollywood Standard Formatting'
3. ^Guide to screenplay format from the website of the Academy of Motion Picture Arts and Sciences
4. ^The Complete Guide to Standard Script Formats (2002) Cole and Haag, SCB Distributors, ISBN0-929583-00-0.
5. ^'Spec Script'. Act Four Screenplays. Retrieved August 10, 2012.
6. ^'What is Script Coverage?'. WeScreenplay. Retrieved 5 July 2016.

Further reading[edit]

• David Trottier (1998). The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script. Silman-James Press. ISBN1-879505-44-4. - Paperback
• Yves Lavandier (2005). Writing Drama, A Comprehensive Guide for Playwrights and Scritpwriters. Le Clown & l'Enfant. ISBN2-910606-04-X. - Paperback
• Judith H. Haag, Hillis R. Cole (1980). The Complete Guide to Standard Script Formats: The Screenplay. CMC Publishing. ISBN0-929583-00-0. - Paperback
• Jami Bernard (1995). Quentin Tarantino: The Man and His Movies. HarperCollins publishers. ISBN0-00-255644-8. - Paperback
• Luca Bandirali, Enrico Terrone (2009), Il sistema sceneggiatura. Scrivere e descrivere i film, Turin (Italy): Lindau. ISBN978-88-7180-831-4.
• Riley, C. (2005) The Hollywood Standard: the complete and authoritative guide to script format and style. Michael Weise Productions. Sheridan Press. ISBN0-941188-94-9.

External links[edit]

• Writing section from the MovieMakingManual (MMM) Wikibook, especially on formatting.
• Screenplays at Curlie
• All Movie Scripts on IMSDb (A-Z)imsdb.com

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Updated 9 December, 2020

This page gathers basic information about the Malayalam script and its use for the Malayalam language. It aims (generally) to provide an overview of the orthography and typographic features, and (specifically) to advise how to write Malayalam using Unicode.

See also the companion document, Malayalam character notes, for detailed information about specific Unicode characters.

Phonetic transcriptions on this page should be treated as an approximate guide, only. Many are more phonemic than phonetic, and there may be variations depending on the source of the transcription.

Sample (Malayalam)

Select part of this sample text to show a list of characters, with links to more details.
Change size: 28px

വകുപ്പ്‌ 1. മനുഷ്യരെല്ലാവരും തുല്യാവകാശങ്ങളോടും അന്തസ്സോടും സ്വാതന്ത്ര്യത്തോടുംകൂടി ജനിച്ചിട്ടുള്ളവരാണ്‌. അന്യോന്യം ഭ്രാതൃഭാവത്തോടെ പെരുമാറുവാനാണ്‌ മനുഷ്യന്നു വിവേകബുദ്ധിയും മനസ്സാക്ഷിയും സിദ്ധമായിരിക്കുന്നത്‌.

വകുപ്പ്‌ 2. ജാതി, മതം, നിറം, ഭാഷ, സ്ത്രീപുരുഷഭേദം, രാഷ്ട്രീയാഭിപ്രായം സ്വത്ത്‌, കുലം എന്നിവയെ കണക്കാക്കാതെ ഈ പ്രഖ്യാപനത്തില്‍ പറയുന്ന അവകാശങ്ങള്‍ക്കും സ്വാതന്ത്ര്യത്തിനും സര്‍വ്വജനങ്ങളും അര്‍ഹരാണ്‌. രാഷ്ട്രീയ സ്ഥിതിയെ അടിസ്ഥാനമാക്കി (സ്വതന്ത്രമോ, പരിമിത ഭരണാധികാരത്തോടു കൂടിയതോ ഏതായാലും വേണ്ടതില്ല) ഈ പ്രഖ്യാപനത്തിലെ അവകാശങ്ങളെ സംബന്ധിച്ചേടത്തോളം യാതൊരു വ്യത്യാസവും യാതൊരാളോടും കാണിക്കാന്‍ പാടുള്ളതല്ല.

Usage & history

Malayalam script is used to write the Malayalam language of Kerala state, and spoken by 35 million people including the diaspora, and the script is used for another 10 minority languages, according to the Ethnologue. It is also widely used for writing Sanskrit texts in Kerala.

Name: മലയാളലിപിmlyāɭlipimələjɑːɭə lɪpɪ Malayalam script

Originally descended from Bhrami, the Malayalam script is a Vatteluttu alphabet extended with symbols from the Grantha alphabet to represent Indo-Aryan loanwords. Throughout its history, it has absorbed words from Tamil, Sanskrit, Arabic, and English.

In the 1970s and 1980s, Malayalam underwent orthographic reform due to printing difficulties. A significant change involved the introduction of a visible virama (chandrakkala) rather than conjunct forms, and simplification of a number of forms, including consonant plus -u/-uu combinations.

Sources: The Unicode Standard, Wikipedia.

Basic features

The script is an abugida. Consonants carry an inherent vowel which can be modified by appending vowel-signs to the consonant. See the table to the right for a brief overview of features for the modern Malayalam orthography.

The Malayalam script was significantly simplified at the beginning of the 1970s. Prior to the orthographic reform there were many more ligated forms. In particular, the vowels u/ū and r in 2nd position in a consonant were reduced from ligated forms to simple, unchanging glyphs alongside a consonant.

The number of characters between spaces can be quite high as sometimes spaces are used to indicate phonological pauses, rather than lexical boundaries.

Malayalam uses 36 basic consonant letters.

Consonant clusters are typically indicated in modern Malayalam using the visible chandrakkala mark (virama), which indicates that no vowel follows a consonant. Conjunct forms are also expressed using stacked consonants, and conjoined consonants, where the chandrakkala is still used but hidden, and special chillu shapes.

As part of a cluster, RA has special forms. As a medial consonant in the modern orthography it appears as a simple glyph to the left of the letters spoken before it. When initial in the cluster its glyph includes a cillu hook at the top right. There are also special rules involving clusters of multiple RA letters.

Syllable-final consonant sounds may be represented by 2 dedicated combining marks (anusvara & visarga), but are generally ordinary consonants with chandrakkala, or 6 chillu forms. The word-final virama sometimes represents a half-u sound, rather than completely killing the inherent vowel. Because of this, Malayalam uses a set of syllable-final consonants called chillus that have no vowel sound associated with them.

The Malayalam orthography has an inherent vowel, and represents other vowels using 12 vowel-signs, including 3 prescripts and 3 circumgraphs. All circumgraphs can be decomposed. All vowel-signs are combining marks, and are stored after the base character. Also a word-final half-u sound is written in modern Malayalam using ് [U+0D4D MALAYALAM SIGN VIRAMA] (candrakkala).

There are 12 independent vowels, one for each vowel sound, including the inherent vowel, and these are used to write all standalone vowel sounds.

The only composite vowels are those created by decomposition of the circumgraphs, and involve 2 glyphs, one on each side of the base consonant(s).

There is also a set of vocalics.

There is an archaic set of numbers that include digits beyond the normal 0-9 range, and include a number of fractional symbols.

Character index

This section lists non-ASCII characters used for modern Malayalam, and other characters in the Malayalam script block not used by modern Malayalam. For descriptions of usage, click on ↓.

Vowels

Vowel sounds

Click on the sound groups to see where else in the document each of the sounds are referred to.

Phones in a lighter colour are non-native or allophones. Source Wikipedia.

Inherent vowel

The inherent vowel is usually transcribed and pronounced a. So ക [U+0D15 MALAYALAM LETTER KA] is pronounced ka.

Vowel absence & half-u

Malayalam uses ് [U+0D4D MALAYALAM SIGN VIRAMA] (in Malayalam called ചന്ദ്രക്കലcn͓d͓rk͓kl (candrakkala)ʧand̪r̪akkala) to kill the inherent vowel after a consonant, eg. ക്k͓ explicitly represents just the sound k.

However, in modern text, at the end of a word the combination ക്k͓ may also represent the sound kə̆ or kɨ̆ (depending on dialect). The transcription for this is usually ŭ, and it is called half-u.

In older documents the half-u was typically written with a u vowel-sign plus chandrakkala, which is not ambiguous, eg. പാലു്.

The Unicode Standard provides examples of half-u occurring in positions that are not word-final (that is, not immediately before a space), eg. ഐശീല്ം. In another example, the chandrakkala is attached to an independent vowel letter, and overrides the sound of that letter, eg. എ്ന്നാ

The chandrakkala is always written after any vowel-sign and before any final consonant (such as anusvara).

See also clusters, where the chandrakkala can be hidden between consonant clusters, and finals.

Vowel-signs

Non-inherent vowel sounds that follow a consonant are represented using vowel-signs, eg. കി [U+0D15 MALAYALAM LETTER KA + U+0D3F MALAYALAM VOWEL SIGN I] is pronounced ki.

Vowel-signs may also be attached to digits, eg. 355ാം.u,505

Malayalam vowel-signs are all combining characters. In principle a single Unicode character is used per base consonant, even if the vowel-signs appear on both sides of the base consonant, but 3 vowel signs decompose to more than one character. See also circumgraphs. All vowel-signs are typed and stored after the base consonant, and the font puts them in the correct place for display.

All of the vowel-signs are spacing marks, meaning that they consume horizontal space when added to a base consonant.

See also vocalics.

Prescript vowel-signs

Three vowel-signs appear to the left of the base consonant letter or cluster, eg. കെkeke.

These are combining marks that are always stored after the base consonant. The font places the glyph before the base consonant.

These vowel-signs are placed before the start of the syllable. This means that a word with a consonant cluster at the start separates the prescript vowel from any postscript vowels by more than one consonant character.

Circumgraphs

Three vowels are produced by a single combining character with visually separate parts, that appear on opposite sides of the consonant onset eg. കൊkeākoː.

In modern text, ൗ [U+0D57 MALAYALAM AU LENGTH MARK] has become a dominant way to write the vowel au̯, rather than ൌ [U+0D4C MALAYALAM VOWEL SIGN AU].

Encoding. All of these circumgraphs can be written as a single character, or as two.

1. ൊ [U+0D4A MALAYALAM VOWEL SIGN O]
   ൊ [U+0D46 MALAYALAM VOWEL SIGN E + U+0D3E MALAYALAM VOWEL SIGN AA]
2. ോ [U+0D4B MALAYALAM VOWEL SIGN OO]
   ോ [U+0D47 MALAYALAM VOWEL SIGN EE + U+0D3E MALAYALAM VOWEL SIGN AA]
3. ൌ [U+0D4C MALAYALAM VOWEL SIGN AU]
   ൌ [U+0D46 MALAYALAM VOWEL SIGN E + U+0D57 MALAYALAM AU LENGTH MARK]

The single code point per vowel-sign is required by the Unicode Standard u,501, however the parts are separated in Unicode Normalisation Form D (NFD).

Whichever approach is used, the vowel-signs must be typed and stored after the consonant characters they surround, and in left to right order. In the case of decomposed vowel-signs, the order is also important and must be as shown above.

Other vowel-signs

The following combining marks are also used to indicate vowel sounds.

Vowel ligatures & orthographic reforms

Like Tamil, in the traditional version of the script Malayalam consonants combining with ു [U+0D41 MALAYALAM VOWEL SIGN U] and ൂ [U+0D42 MALAYALAM VOWEL SIGN UU] tend to produce ligated forms, as shown in fig_u_ligatures.

During orthographic reforms in the 1970s and 1980s a simpler approached was introduced, to make printing easier. Both vowels were represented by an unchanging, postscript vowel-sign as shown below. No change is needed to the underlying code points in Unicode, this is purely a font difference.

Standalone vowels

Malayalam represents standalone vowels using a set of independent vowel letters. The set includes a character to represent the inherent vowel sound.

Vocalics

ഋ [U+0D0B MALAYALAM LETTER VOCALIC R] and ൃ [U+0D43 MALAYALAM VOWEL SIGN VOCALIC R] are most common in the modern orthography.

The items in the list below are rare and used only to write Sanskrit in Malayalam.u,501

Consonants

Consonant sounds

Click on the sounds to see where else in the document they are referred to.

Phones in a lighter colour are non-native or allophones. Source Wikipedia.

Basic consonants

Other consonants

The conjunct ക്ഷk͓ʂ is conventionally regarded as an additional letter.d,420

Two other letters, ഩ [U+0D29 MALAYALAM LETTER NNNA] and ഺ [U+0D3A MALAYALAM LETTER TTTA] are historic and used rarely in scholarly texts to represent alveolar sounds. In ordinary texts, ന [U+0D28 MALAYALAM LETTER NA and റ [U+0D31 MALAYALAM LETTER RRA] are used instead.ws

Syllable-final consonants

Chillus

Words ending with chandrakkala may be pronounced with a half-u sound after. In order to indicate a consonant with no following vowel sound at all the following chillu (or cillakṣaram) characters can be used, eg. വില്ലൻ.

ൿ [U+0D7F MALAYALAM LETTER CHILLU K] is relatively rare.u,505

Unicode v9 introduced 3 more chillu letters, ൔ [U+0D54 MALAYALAM LETTER CHILLU M], ൕ [U+0D55 MALAYALAM LETTER CHILLU Y], and ൖ [U+0D56 MALAYALAM LETTER CHILLU LLL], which are not included in CLDR.

In older Unicode text the first 5 chillus in the list above were written using the combination consonant+VIRAMA+ZWJ, but since the introduction of the chillu characters in Unicode v5.1 these precomposed characters are recommended.

Anusvara & visarga

Malayalam also uses the anusvara and visarga as syllable-final characters, eg. ദുഃഖം.

The anusvara normally represents the sound m, but may be assimilated to another nasal consonant. It can be used multiple times after a vowel, eg. ഈംംംംị̄m̽m̽m̽m̽.u,504

Consonant clusters

The absence of a vowel sound between two or more consonants is visually indicated in one of the following ways.

1. A visible chandrakkala character above the top right of the initial consonant.
2. Stacked consonants, where the non-initial consonant appears below the initial, usually with a reduced or ligated form.
3. Conjoined consonants, where consonants sit side-by-side but with some ligation or different forms than usual.
4. Special 'chillu' shapes for the initial consonant (a special case of the preceding bullet point).
5. A syllable-final consonant diacritic followed by a regular consonant.

In Unicode, the stacking and conjoining behaviour is achieved by adding ് [U+0D4D MALAYALAM SIGN VIRAMA] between the consonants. The font hides the glyph automatically.

Traditional fonts have more ligatures than modern ones. There doesn't appear to much in the way of a systematicapproach to shaping. With a few exceptions, the conjuncts are specific to particular pairs of characters.

You can see conjunct forms in the conjunct map table. This shows all combinations of two consonants and allows you to observe the effect of changing the font. Images of the table with conjuncts highlighted by coloured dots are available for the Noto Serif Malayalam and Thoolika Traditional Unicode fonts.

Sequences involving more than two consonants in a cluster can combine a variety of methods. The example in to_india shows 3 conjoined consonants in the middle, and a conjoined cluster stacked below another letter at the end.

ര [U+0D30 MALAYALAM LETTER RA] when non-initial in a cluster is displayed to the left of the other consonant(s) in the reformed orthography, eg. ക്രk͓r. This transposition is done by the font – the typed and stored order remains the same as the spoken order.

When RA follows more than one consonant, it is displayed to the left of the cluster, not just to the left of the preceding consonant, eg. ന്ദ്രn͓d͓r in ചന്ദ്രക്കലcn͓d͓rk͓klʧand̪r̪akkala.

Visible chandrakkala

This is a common option, and was promoted as the default by the orthogrpahic reforms of the 1970s. It is also the fallback if the font doesn't contain conjunct forms for a particular cluster of consonants.

Examples include ട്ഛʈ͓cʰ and ക്റk͓ṙ.

Stacking

The non-initial consonant is drawn below the initial consonant, and with a slightly different shape.

The following list shows stacked conjuncts in the Noto Serif Malayalam font (unless you changed the font for examples on this page).

Stacks tend to be particularly common for geminated consonants, even when those consonants don't participate in other conjunct pairings. In 3 such cases, the second consonant is often represented by a small triangle.

Otherwise, the subjoined consonant may be a reduced version of the original, or may be ligated. Note that LA has a very different shape from normal when in subjoined position.

Conjoined consonants

Conjuncts where the consonants remain side-by-side typically merge the shapes of the consonants.

However, 3 consonants have very standardised glyphs when they appear in non-initial position, and those glyphs don't merge with the other consonant. They are യ [U+0D2F MALAYALAM LETTER YA], റ [U+0D31 MALAYALAM LETTER RRA], and വ [U+0D35 MALAYALAM LETTER VA]. The list below shows them combined with the letter KA.

Exceptions to the above are യ്യy͓y and വ്വʋ͓ʋ.

The isolated, prescript shape for RA was introduced by the reformed orthography. In the old orthography RA as the second element in a conjunct was represented by a ligated swash below the initial consonant.

The following list shows conjoined conjuncts in the Noto Serif Malayalam font (unless you changed the font for examples on this page). To see the original shapes, click on the conjunct.

Chillu-style initials

In some fonts the initial consonant in a cluster may take a chillu shape, followed by an ordinary glyph for the second character.

In the Thoolika Traditional Unicode font this applies to the following consonants in initial position. The examples all use SHA in the second position. Note that the chillu code points are not used here – this is just font styling on normal consonants.

conjunct_chillus shows the same sequence of characters in the Thoolika Traditional Unicode font. Note how the shape of the second consonant remains the same as normal - there is no ligation or repositioning.

Initial ര (RA)

Cluster-initial ര [U+0D30 MALAYALAM LETTER RA] is only used before യ [U+0D2F MALAYALAM LETTER YA] in standard Malayalam.u,505 Since the orthographic reform, this has been written as ർയr͓y.

Before the 1970s, however, a dot or small vertical stroke was used over the following consonant, in a similar way to the repha in other indic scripts, eg. ൎയ. The character ൎ [U+0D4E MALAYALAM LETTER DOT REPH] is used to reproduce this.

This character is not a combining character. It is typed and stored in the same place as you would expect to find the RA + VIRAMA, and then the font needs to position the glyph over the following consonant.

Clusters with റ (RRA)

The conjunct റ്റ [U+0D31 MALAYALAM LETTER RRA + U+0D4D MALAYALAM SIGN VIRAMA + U+0D31 MALAYALAM LETTER RRA] is always pronounced tta, eg. പാറ്റ.

The same word could be spelled പാററpāṙṙ, and until the 1960s, when the stacked version began to appear, it would have been spelled that way, but this would be ambiguous, cf. ടെംപററി.u,506 It would be particularly ambiguous when there are more than 2 RRA characters side by side, eg. compare കിലോമീറ്ററുകൾ with കിലോമീറററുകൾkilōmīṙṙṙukɭ̽.

If a word with the sound tt is spelled using an unstacked pair of these characters, the pair acts as a single unit with prescript vowels, eg. മാറെറാലി. To achieve the correct positioning of vowel-signs here, however, it is necessary to use the decomposed forms of the vowel (see the transcription). Otherwise you would end up with മാററൊലിmāṙṙoli, where the prescript part of the vowel is in the wrong place.

Similarly, ൻ്റn͓̽ṙ is always pronounced nta, eg. ആൻ്റോ.

According to the Unicode Standard, an alternative spelling exists without the stack, ie. ആൻേറാận̽ēṙāaːntoː (note that again we had to split the vowel), but this can also lead to ambiguity.u,506

Using ZWJ & ZWNJ

Assuming that you have fonts that produce the expected behaviours, the Unicode Standard describes the use of the joiner characters as follows:u,505

• ‌U+200C ZERO WIDTH NON-JOINER (ZWNJ) placed after the chandrakkala can be used to force the production of a visible virama, rather than a conjunct form. For example, ക്‌ക [U+0D15 MALAYALAM LETTER KA + U+0D4D MALAYALAM SIGN VIRAMA + U+200C ZERO WIDTH NON-JOINER + U+0D15 MALAYALAM LETTER KA] produces ക്‌ക, rather than ക്ക.
• Uniquely to Malayalam, placing the ZWNJ before the chandrakkala is supposed to produce the modern 'open' form of the conjunct in fonts that would otherwise produce a traditional conjunct, eg. ക‌്ര [U+0D15 MALAYALAM LETTER KA + U+200C ZERO WIDTH NON-JOINER + U+0D4D MALAYALAM SIGN VIRAMA + U+0D30 MALAYALAM LETTER RA] should produce the form ക്ര.

• ‍U+200D ZERO WIDTH JOINER (ZWJ) can be used before the chandrakkala to produce a traditional conjunct form in fonts that produce the open form by default but have the glyphs for the traditional forms too.
• ZWJ used after the chandrakkala may produce a chillu form (eg. ക്‍ [U+0D15 MALAYALAM LETTER KA + U+0D4D MALAYALAM SIGN VIRAMA + U+200D ZERO WIDTH JOINER]), but this approach is now deprecated in favour of using the chillu codepoints. See finals.

Other letters

The Unicode Malayalam block also contains the following characters with the general property of letter.

Symbols

The Malayalam Unicode block contains 2 characters with the symbol property. ൏ [U+0D4F MALAYALAM SIGN PARA] was used historically to measure rice.

The second item is the date mark, described in the next section

Numbers, dates, currency, etc

Malayalam Film Script Writing Format Pdf Download

Digits

There is a set of Malayalam digits, but they are not use for modern texts.

Older texts also used the following additional numeric characters.

According to the Unicode Standard, Malayalam also used the following characters in the Common Indic Number Forms block.u,507

Dates

൹ [U+0D79 MALAYALAM DATE MARK] can be used like the 'th' in English dates, but it use is fading in modern text. u,507

Text direction

Malayalam text runs left to right in horizontal lines.

Glyph shaping & positioning

This section brings together information about the following topics:writing styles; cursive text;context-based shaping;context-based positioning;baselines, line height, etc.;font styles;case & other character transforms.

You can experiment with examples using the Malayalam character app.

The orthography has no case distinction, and no special transforms are needed to convert between characters.

Context-based shaping

Malayalam is not cursive, but d isplay technology needs to provide shaping for conjunct formation.

Context-based positioning

Display technology must correctly position prescript vowels to the left of the consonant or consonant cluster, and place the separate glyphs of 2-part vowels around those also.

It must do a similar thing for display of RA using the orthographic reforms.

Font styles

tbd

Structural boundaries & markers

Grapheme boundaries

tbd

Word boundaries

Spaces are often used between words, but it is not uncommon for writers to use spacing to indicate phonological pauses, rather than lexical boundaries.s

Malayalam Film Script Writing Format Pdf Free

Sequences of characters between spaces are often quite long in Malayalam, eg. അറിയപ്പെടുന്നുവെങ്കിലുംạ̄ṙiyp͓peʈun͓nuʋeŋ͓kilum̽.

Phrase & section boundaries

Malayalam uses western punctuation.

Older texts used । [U+0964 DEVANAGARI DANDA] and ॥ [U+0965 DEVANAGARI DOUBLE DANDA] to separate phrases.

Parentheses & brackets

Quotations

Emphasis

tbd

Abbreviation, ellipsis & repetition

tbd

Inline notes & annotations

tbd

Other inline ranges

tbd

Other punctuation

tbd

Line & paragraph layout

Line breaking & hyphenation

Spaces provide the main line break opportunities.

Character properties

Characters used for the Malayalam language have the following assignments related to line-break properties.

AL (ordinary alphabetic and symbol characters) requires other characters to provide break opportunities; otherwise, unless tailored rules are applied, no line breaks are allowed between pairs of them.

BA (break after) indicates that it is normal to break after that character.

CM (combining mark) takes on the behaviour of its base character.

CP (closing parenthesis) will not cause a break opportunity when appearing in contexts like “(s)he.” In all other respects the breaking behavior of CP and CL are the same.

Malayalam Film Script Writing Format Pdf Free

NU (number) behaves like ordinary characters (AL) in the context of most characters but activate the prefix and postfix behavior of prefix and postfix characters.

PO (postfix numeric) usually follows a numerical expression and may not be separated from preceding numeric characters or preceding closing characters, even if one or more space characters intervene. For example, there is no break opportunity in “(12.00) %”..

Text alignment & justification

tbd

Letter spacing

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Counters, lists, etc.

Ready-made Counter Styles lists one, numeric, counter style for use with Malayalam. You can experiment with this style using the Counter styles converter.

Numeric

The malayalam numeric style is decimal-based and uses the digits shown below.

Styling initials

tbd

Page & book layout

This section is for any features that are specific to Malayalam and that relate to the following topics:general page layout & progression; grids & tables;notes, footnotes, etc;forms & user interaction;page numbering, running headers, etc.

Character lists

Version 12.0 of the Unicode Standard has the following blocks dedicated to the Malayalam script (numbers in lists are non-ASCII only):

• Malayalam66 letters, 23 marks, 26 numbers, 2 symbols : total 117

The modern Malayalam orthography described here uses characters from the following Unicode blocks.

Malayalam Film Script Writing Format Pdf File

The infrequently used characters come from these blocks.

See also the Character usage lookup page, and the Script Comparison Table.

Languages using the Malayalam script

According to ScriptSource, the Malayalam script is used for the following languages:

• Allar [all]
• Kurumba, Attapady [pkr]
• Kurumba, Betta [xub]
• Irula [iru]
• Kudiya [kfg]
• Kurichiya [kfh]
• Malayalam [mal]
• Mannan [mjv]
• Muduga [udg]
• Paniya [pcg]
• Ravula [yea]

References

Script Writing Format Pdf